Hello all,
It’s with a heavy heart that I’ve decided to sell my two Lomo anamorphic lenses.
I’ve racked up some debt lately and the anamorphic lenses are just some of my gear that have been sitting around too long, stagnating.
The anamorphic journey has been a tumultuous one, and I will still endeavour to keep this site alive for the time being.
It’s been great to own some of these beautiful lenses, however there is virtually no market for them here in Hong Kong/Asia. I just can’t utilize them the way I want to so I need to offload some gear to stay afloat for the time being.
I don’t want to post the eBay link here for fear of hard-selling, but you’ll find it if you search for it. I’m selling the 50mm round front first, then the 30mm square front in May.
I hope the new users will make more use of them than I did.
The listing will end April 16th 21:30 PDT
Category Archives: Uncategorized
New Lomo anamorphic project in the works
Hello internets!
Sorry it’s been a while to update this website… Truthfully there hasn’t been much to say after the initial launch. For one, I don’t get to shoot anamorphic often and not much new knowledge to share.
However I’m pleased to report a new short film I’m working on here in Hong Kong, and I’ve convinced the director to go anamorphic!
Called ‘Static Dreams’, it’s a short sci-fi piece intended to promote a new series of graphic novels produced by The Immortal Peach crew – of which I’m affiliated to.
Here are a few screengrabs shot with the Sony FS100 + nanoFlash using 50mm roundfront and 30mm squarefront. I’ve also been using the 35mm T1.4 and 150mm T2.8 primes for a few scenes because of the need for close-up and tele.

Anamorphic Projection Lenses
Lately, I’ve seen an abundance of Lomo 35-NAP anamorphic projection lenses on eBay. I got a lot of Q’s about them and I just basically told people to forget about them. You’d spend ages trying to properly mount it, get your anamorphic flare kicks for a few minutes, then relegate it to a paper weight. Unfortunately there is no cheap way to play with proper anamorphic. Hell, Lomo’s are the highest I could go!
I’ve never used the projection types but had tried other brands such as Kowa, Isco, Hypergonar when I started off with HDSLRs. They all had the same characteristics: Only a barrel to focus, no useable mount and damn heavy. The Hypergonar HI-FI 2 was the one I made famous with this little clip I made over a year ago:
I assume these Lomo projection lenses are the same, except they look much heavier. You’d need to mount it in a similar way to what I did for the beastly Hypergonar:

Or this Russian website also details some findings. Notice the DIY wooden frame mount! Can you imagine going out shooting like that somewhere…
Tasteful use of Lomo’s with the Panny AF100
Danny Garcia & Brandon Moore shot this tasteful “video photography” or “photography video(?)” piece in the Mojave, Nevada, USA. I really like such pieces, it’s like looking at animated photographs. Don’t necessarily need a story or narrative, just pretty to look at. It’s also the first time I’ve seen it on the Panasonic AF100. They even cropped the vid to a skinny 3:55. Nice.
Looking for contributors
Hello all, I’ve been reading the stats and it does get a healthy dose of daily views. So much so it makes me even more embarrassed at my lengthy absenteeism!
So I’d like to welcome any contributing posts about users’ experiences with shooting Lomo anamorphic. Be it about shoots, DIY projects, tests, comparisons or video showcases, please shoot me an email with a subject line that includes “lomo anamorphic” for easier screening. Ideally, please include photos if possible.
Many thanks.
Dublin Memories
Here are a few shots of home town in Dublin, Ireland. I wish I could do more but it was a really short trip and I had intended to travel to the famous Cliffs of Moher in the west of the country but weather was too bad. I think that would’ve looked epic! Plus I haven’t been there since I was a child. In fact I’ve been away from home so long sometimes I can be a tourist.
Shot with 30mm square front and 50mm round front on GH2 + NanoFlash@220mbit/s
Memories of Dublin from Edwin Lee on Vimeo.
OCT-18: The low down…
OK, been getting a lot of queries about how to use OCT-18 lenses. First off, I TOLD YOU they’re a pain in the ass!
But I know how ya feel. I was also like that when I first embarked on my rather short Lomo anamorphic journey. Unless you’re filthy rich of course, and you’d buy PL or Hawks!
In short, the problem is that OCT-18′s are really designed for Konvas cameras with dovetail support. It holds the entire unit together so they don’t fall apart. Now, when I was using and selling OCT-18′s I used something called a SPT-1 by Velbon. It’s this magical accessory that helped me sell Hypergonar anamorphic lenses. It was designed for tele-lenses but I managed to configure them to push my anamorphic agenda! I bought them from a distributor in Hong Kong but if you Google it you should find it. It cost me about US$50 each.
Below are pics to illustrate. Here I use a GH2 with a OCT-18 (old version) adapter from ciecio7 on eBay. Now, the SPT-1 allows the OCT-18 unit to sit on top. The front element does extend while focusing so the SPT-1 provides enough room for it. I don’t have more pics but you can also stick a pistol grip underneath the SPT-1 to do some rudimentary handheld work. Entirely feasible but really a pain in the ass.
Greetings from Ireland!
Image
Hello Internets,
Wow my last post was in February, how time flies.
I’d been busy with a lot of work these months and ashamedly my anamorphics had been in a long slumber. But now they’re with me in Ireland and am using them in conjunction with a nanoFlash x GH2 test. Living and working in Hong Kong for so long doesn’t give me much inspiration anymore so it’s hard to go out and shoot much less use anamorphic lenses. Unfortunately the past few creative works I’ve participated did not warrant the use of anamorphics.
I’m taking a short break in my native Ireland and it’s the first time I’ve brought the Lomo anamorphic lenses. I’ll be travelling around Dublin as well as famous scenic sights around the country and doing some nice landscape shots using the nanoFlash/GH2 combo at 220mbps I-Frame rates. It’d be the highest bit rate I’ve ever used with these lenses – I might also get a chance to play with my friend’s RED Scarlet.
“What’s required to motorize a LOMO Ana lens”
Doing the usual patrol on Vimeo and was immediately intrigued by this title!
When I got my first roundfront anamorphic lens, I was disappointed when I could not use my follow focus unit. This is because the focusing barrel was so stiff and heavy, and the front element extended too far when focusing. So you can see in that clip the follow focus gear is long and strong (motorized) enough to compensate!
FAQ
OK, in the past few months I’ve been getting tonnes of questions about Lomo anamorphic lenses. I guess their popularity is increasing of late?
And I apologise to some people but I’m sure I’ve overlooked a few emails and not responded. Things are shit busy now after the Lunar New Year as companies pick up business again. But frankly, a lot of the information can be obtained by looking at my posts. BUT I suppose it should be better to have some sort of FAQ.
So, I’ve decided to create one about anamorphic lenses, using what knowledge I have. I also urge curious visitors to visit Konvas.org where their forum is filled with more experienced filmmakers and alike. Their forum format is a bit strange – you actually post via emails. But the Soviet cinephiles there are very friendly and is a source of great info.
The majority of questions I get, as expected, are related to how the anamorphic lenses work with DSLRs and hybrids like my Panasonic GH2 and Sony NEX’s. So, my FAQ would revolve more around their adapted use on these cameras. I’ve never used a Konvas camera so I’d definitely be the wrong person to ask. I’ll from here on refer to Lomo anamorphic lenses as “ana’s”.
1. To begin fathoming using the ana’s on say, you’re Micro Four Thirds or NEX cameras, you need the appropriate adapters. Ciecio7 from eBay in Poland is the best seller out there. Most ana’s these days come in OCT-19 mount. The round and square fronts I’ve used so far fit and focus properly with his adapters so there’s no need to be cautious.
2. If you have a Nikon or Canon DSLR, it is NOT possible to use square front ana’s because of its huge rear mount. The round fronts should be possible because of its shorter mount.
3. The ana’s are proper anamorphic lenses. They are not of the ‘anamorphic projection lens’ type where you need to mount it on a taking lens via a clamp. Those lenses require you to focus on both lenses. Although the ana’s are essentially composed of an anamorphic attachment and rear prime lens, they function as one unit. Hence you can rack focus with it.
4. The ana’s are 2x squeeze. So when shot with 16:9 sensor, it would produce a 3:55 aspect ratio which is super narrow. And no, there’s no way to make the frame bigger apart from zoom cropping.
5. I don’t have any more lenses to sell!
6. Please take extra precautions when shopping for ana’s. Ask the seller to take close up pictures of the front and rear optics. They’d likely not know (or tell) if it had been collimated. Consider asking the seller to ship to someone like Olex Konvas Services in Ukraine for a collimation & cleaning service.
7. Which mounts? Lomo anamorphic’s come in OCT-18, OCT-19 and PL. Some may also be modified to say, Canon or Nikon mounts. The majority of lenses sold right now on eBay are OCT-18 and are the cheapest in their range. OCT-19′s and PL’s can probably fetch at least 5 times more depending on their condition. This is because OCT-18 lenses are the oldest and have a very peculiar focusing mechanism. In short, they are really designed for Konvas cameras with dovetail support – using them with other camera systems is a real pain, even if you have the appropriate OCT-18 adapter. The front element needs the dovetail support in order to hold the entire unit in place. On top of that, usually their focusing mechanisms are very stiff and makes it impractical for shooting. Fine for doing static shots, though. If you want to use one for fun or experimentation I think it’s fine – depending on the price you pay. Definitely under US$1,000 even for a mint condition one.
Now, OCT-19 and PL mounts are the shit. Plus these variants are newer and likely possess far less problems than their older OCT-18 counterparts. Can be used well for professional applications. But expect to pay through the nose for them!






